pachinko gambling online pachinko gambling Puppet Theater
pachinko gambling, or トータル イクリプス パチンコese puppet theater, is probably the most developed form of puppetry in the world. It is closer in style to Punch and Judy than Pinnochio as there are no strings and in its early days the puppeteers were hidden behind a curtain. The トータル イクリプス パチンコ are large - usually about one-half life size - and the main characters are operated by three puppeteers. Many トータル イクリプス パチンコ plays are historical and deal with the common トータル イクリプス パチンコese theme of giri and ninjo - the conflict between social obligations and human emotions. The greatest works by トータル イクリプス パチンコ's most famous playwright トータル イクリプス パチンコ (1653-1724) are トータル イクリプス パチンコ plays, many of which are written around this kind of conflict.
A 'トータル イクリプス パチンコ' or maiden puppet being operated by the トータル イクリプス パチンコ and his two assistants.
A 'トータル イクリプス パチンコ' or warrior puppet
pachinko gambling is actually the name commonly used for トータル イクリプス パチンコ - ningyo meaning puppet and joruri being a kind of chanted narration. Puppet plays are believed to have their origins in the 10th or 11th century. Itinerant entertainers, many from Awaji Island in the Seto Inland Sea, presented plays in the nearby cities of Osaka and Kyoto.
pachinko gambling as we know it today, combining puppetry, joruri and musical accompaniment provided by the three-stringed shamisen, began in the Edo Period (1600-1868) in Osaka. Like kabuki before it, in the 1600's トータル イクリプス パチンコ became the common man's equivalent of the noh, which only the aristocracy were allowed to study. It flourished from the end of the 17th century, thanks particularly to the popular collaboration of the chanter Takemoto Gidayu I with Chikamatsu. Chikamatsu's Love Suicides at Sonezaki (1703, トータル イクリプス パチンコ) is equivalent in stature and theme to Shakespeare's Romeo and Juliet. The play, based on an actual recent love-suicide, was so popular that it caused an increase in this kind of suicide - until the government made it illegal. The concept of basing a play on a recent event was revolutionary and really caught the imagination of the public. The most famous トータル イクリプス パチンコ play is probably Chushingura: The Treasury of Loyal Retainers (トータル イクリプス パチンコ), a story of heroics, loyalty and revenge, which has also been made into a famous kabuki play and filmed many times.
The variety of puppet heads that are used for different characters.
The トータル イクリプス パチンコ, or main puppeteer, manipulates the head and features and the right arm while the two lower ranked puppeteers operate the left arm (hidari-zukai) and the legs (ashi-zukai). The assistants will typically serve a 10-year long apprenticeship on each before becoming an トータル イクリプス パチンコ. The トータル イクリプス パチンコ is visible to the audience - he is the star of the show, after all - and often colorfully dressed while the other operators are 'invisible' - actually they're just cloaked in black robes and hoods. Puppets of female characters usually don't have legs as they are clad in full-length kimono.
Since the Meiji Period (1868-1912), when Western culture became increasingly popular, トータル イクリプス パチンコ has been in decline and relies on government sponsorship and revenue from the National Theater in Tokyo and the National pachinko gambling Theater in Osaka. When the National Theater opened in 1966, it was the first permanent home トータル イクリプス パチンコ had had in almost 150 years. Although there are occasional increases in popularity, the real problem lies in the fact that the craftsmen who create the トータル イクリプス パチンコ and costumes are dying out and the long apprenticeship necessary to take their place does not appeal to today's young generation.
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